Producer Insight: Building a self-curated sound library
In our recent blog post, we discussed how to organise your sample library. This week, we’ll dive into creating one from scratch.
For years, I started every project fresh – new drum rhythms, bass sounds, and synth patches. While this was creative, I neglected a crucial step: bouncing out elements from completed projects.
Why build a sound library?
- Refine your sonic identity: Curating your own sounds helps establish your own unique sonic footprint.
- Speeds up workflow: A ready-to-use library saves time, letting you focus on creativity rather than repetitive sound design.
- Helpful for collaboration: Having a well-organised library means you can quickly access sounds when time is tight.
How to start:
- Bounce individual elements: After completing a track, export key elements as separate files.
- Organise effectively: Create folders by category (e.g. kicks, textures, atmospheres), BPM & key.
- Label clearly: Use descriptive names like “Deep_Kick_01” for easy access.
- Keep It Clean: Periodically update your library, removing outdated or unused sounds.
“You’ve got to find your own voice in the world of music.”
Aphex Tiwn
Producer Hack: Creating a “Track starters” folder
Whenever a sound inspires you – whether it’s a field recording, a sampled texture, or a synth patch – record or bounce it down immediately and save it in a folder labeled “Track Starters.”
Pro Tip: Create a playlist with these sounds and play it in the background while doing other tasks. If a sound grabs your attention, use it as the foundation for a new track
Producer Sample: Lekko felt piano
This weeks sample come’s from the Lekko Felt Piano VST. It is renowned for its soft, textured tones that are perfect for creating emotional, intimate melodies.
Got questions or want to share what you’ve created? Drop us a message – we’d love to hear from you!
Check out our sample packs here and start crafting your unique sound today.
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